The exhibition at Romsey Abbey has now been taken down. It was a wonderful place in which to exhibit. I was aware that there was not much opportunity to photograph Metamorphosis 2 since the light was so poor in the Abbey and given that it is my intention to alter the pieces and transform them in some way into Metamorphosis 3, I decided another photo shoot was
At the moment they are not earmarked for anything in particular so the transformation is on the back burner – I have some ideas so its a question of watch this space
In actual fact have been going grey since the age of about 24 and the process has yet to be completed. However the reference here is to work I am embarking on currently. It is for an exhibition entitled ‘Six Shades of Grey’ in which I am involved as part of the exhibiting group Room 6 at the Fashion, Embroidery and Stitch Show at the NEC in Birmingham on 17th – 21st March next year. I have collected my fabrics
and dyed the threads
Just the small matter of combining together to produce something. It seems like a long way away, however with 2 other large exhibitions coming up after its as well to get ahead of the game. Watch this space for updates.
I am now somewhat exhausted after the knitting and Stitching Shows virtually back to back. I have enjoyed the process immensely having met some lovely lovely people who were extremely kind about my work. I was also lucky enough to be exhibiting alongside a fab bunch of graduates and my fellow Guild Scholar. Here is a bit of a plug for each:
Harriet Stiles also an Embroiderers Guild Scholar with her hand embroidered Jewellery – more info here
Hanny Newton with her goldwork rocks. She also makes the most fabulous bow ties she can also be found here
Maria Boyle who won the Textile Study Group graduate of the year award. Fabulous textures. Her website can be found here
Chris Woodcock with these wonderful forms. More info here
Georgina Bellamy, probably the fastest emboiderer in the west with her stunning jacket. Link to her website
Olly Mason with her stitch and concrete. Her website may be found here
Last but not least we have Helen Sill fellow Eastleigh alumni and Room 6 member. She will not thank me for this photo. Website is here
It’s now onwards and upwards – lots in the pipeline. The next event for me is an exhibition at Rums Eg, Romsey in the new year – more of this when the publicity comes out
As a way of marking time more productively I am working on a new piece. It is constructed from some of the mass indigo session I had in the summer. Fabric is pieced then waxed and then washed leaving it with some body. The plan is to have a large cut work panel right down the middle.
Autumn seems to have come early this year, Lots of leaves are on the turn.
This awareness has been instrumental to my dyeing like a madwoman over the last couple of weeks. I do not wish to be in the position that I was in with my final body of work with a ton of inspiration but nothing to work with. In the end this lack was quite serendipitous and determined the final outcome in an extremely positive way. However I have lots of things in the pipeline over the next few months so I need materials on hand to follow through. I have now finally hung up my dyepots for the forseeable future. My hands are a seemingly fetching shade of grey and the conservatory looks like hell.
I am in need of some more tissue pieces. Unfortunately. although interestingly the prints on the paper I used at the beginning of the year were rubbish so I had to use a thicker paper which seemed to come out ok
I only hope I will be able to use them in the same way as the finer tissue
By the time I had finished with all the paper the water in my pot was as black as ink so I put in some final pieces of fabric with dramatic effect.
These are just little bits of nonsense – samples to work out where I am going.
I have been reminded of the work of Hillary Fayle whose exquisite work i came across earlier this year. Lots of obvious resonations for me since she is passionate about the environment. She coats the leaves in a non toxic preservative to conserve and retain colour as well as rendering them more easy to stitch into. She then uses a mixture of traditional and ori ginal embroidery patterns to fill the spaces
In her own words; “I generally try to use renewable, sustainable and environmentally friendly materials for my art, so this was an obvious choice. I feel that the elaborate stitching reflects the intricate patterns and incredible detail found in the natural world”
Photos and more to be found at hillaryfayle.wordpress.com